Love at First Listen with Elyse Saunders

Elyse Saunders Interview Love at First Listen 2024

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

Meet Elyse Saunders, the next big name in Canadian country music. Since the start of the year, Elyse has climbed up the country charts at home and abroad, signed her first publishing deal, and earned the title of iHeartRadio Future Star. Now, days after we first spoke with Elyse, she’s been named Female Artist of the Year at the 2024 CMAOntario Awards and debuted her new summer single “Dirt” on the show’s main stage. On the playful song, Elyse shuts down the rumour mill and officially declares gossip dead—a message we can surely get behind.

Love at First Listen caught up with Elyse to chat about “Dirt” and get the inside scoop on the Canadian country music community and her newfound Australian audience.

You’re dishing all the dirt on your new single, “Dirt.” How did you get the idea and inspiration for this song, and what message do you want people to take from it?

I wrote this song with my friends Sam Davs and David Madras, and I felt that no matter who you are, where you come from, and whether you’re on the good side or the bad side of the gossip train, we’ve all experienced this situation. If we look in our own backyards, we all have our own dirt to deal with before we judge other people’s dirt. So, I wanted to try to take this topic and make it a bit humorous and share it in a way that was super relatable but not too serious. Coming from a small town, rumours get around pretty quick. If you say something, your neighbour 10 doors down will somehow hear about it. So, it’s based around the small-town feel, but it’s definitely something that happens worldwide. This was so much fun to write—actually very therapeutic in a way.

Do you have any fun behind the scenes stories from filming the music video?

I made it with another friend, Nick Marinac. We did it on this land that is open to the public, so we had to find this window of when people wouldn’t be there and it ended up being a freezing cold, windy day. There was sunshine, but the whole time I’m trying not to look cold, and we were getting kicked out at the end. We went to find another random field and finish up. It was all very random and sporadic, but I feel like the energy of the song really shines through because it was a bit on the whim. Watch for a lot of dirt and overalls in the countryside.

You released this single at the start of CMAOntario Awards weekend where fans were able to get up close and personal with all of their favourite country artists and discover several up-and-comers. How important do you think it is to have celebrations like this for homegrown country artists?

I think it’s so important because it does shed light on what’s going on here in Ontario, and we have so much talent it’s crazy. I’ve been on the other side of the audience as an artist growing in my journey for many years, and the industry really got to see that journey. To now help bring a light to that to country music lovers out there is super cool — and sometimes it’s like the stars of today and the stars of tomorrow. I think it’s really important just to keep building that community and building the country music that we have here in Canada in general because we all know our big U.S. country stars, but we definitely have our own stars here in Canada and Ontario and I think it’s important that we bring those artists out to the audience.

In the spirit of celebrating Canadian country music, can you shout out some of your Canadian country pals who you have loved at first listen?

My friends River Town Saints, Owen Riegling, Robyn Ottolini, Graham Scott Fleming, Kelly Prescott, Andrew Hyatt, and Jason Blaine, who co-wrote my song “Never Have I Ever”… my list could go on. Award shows are always a big reunion.

Events like the CMAOntario Awards are a celebration but they’re also a place where dreams come true. When you think about the dreams you have for yourself, what are the biggest pinch-me moments you’ve had in your career so far and what’s still on your bucket list?

That’s a very good question. Winning Video of the Year last year at the CMAOntario Awards was definitely one of those pinch-me moments because my journey has not been the overnight success. It has been more like 10 years plus in the making. I always kind of envisioned myself being at this place in my career one day, so having these things happen, it’s like, okay, yeah, I’m where I’ve always wanted to be. My younger self is super excited when these moments come together.

Having “Never Have I Ever” become my first single to be supported at Canadian country radio was also amazing. It was No. 27 on the charts, and to be top 30 was always a goal of mine. We then went top 10 in Australia, and I had no idea that was going to happen. It’s cool how these things sometimes happen organically and as a surprise; it feels more like a gift that way. I think that I still have so much more to do and more to come, and I’m going to keep having those pinch-me moments. All artists start at ground zero and then you kind of build your way to this point. So, these moments are good reminders of how far you’ve come.

What does your breakout single “Never Have I Ever” mean or represent to you now, especially as it’s taken on a global life of its own?

It means a lot. I knew it was special the day I wrote it with Jason Blaine in his family home. We wrote it in a couple of hours and it kind of felt like it wrote itself. We did a demo that day and I sent it off to my producer, Dan Swinimer, who knocked the production out of the park. I was so excited, but I had no idea how it was going to resonate with everybody else. So, to know that it’s done what it needs to do as a singer-songwriter and it’s making an impact, it’s connecting to people, and they love it just as much as me is really the goal and the job of what I’m supposed to do as an artist. I hope to continue to be able to do more with my music and more singles.

Have you had a chance to visit your new international friends?

That’s on my bucket list too. I’ve always wanted to see Australia. I’ve done press and calls over Zoom and I keep saying I can’t wait to visit. We’re looking at the top of the new year to hopefully get there and do some shows. I’ll also get to do a radio tour and see people face to face for the first time.

Now that “Dirt” is out in the world, what do you have in store musically for the rest of the year?

I have a bunch of new music in the pipeline ready to go and a bunch of shows as well. If people want to find out where I will be, it’s all on my website. The band and I have been working hard on putting a bunch of new material together with these new songs. I also just signed to my first publishing deal with Arts & Crafts Publishing as a songwriter, so I’ll continue to write for other artists as well and hopefully get my music into the TV and film world too. I’m just doing whatever I can to just keep this thing on the rails, doing what it needs to do, and seeing how far I can take it.

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Love at First Listen with Genevieve Fisher

Genevieve Fisher Interview Love at First Listen 2024

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

Nominated for Songwriter of the Year at this year’s CMAOntario Awards and already dubbed an Artist on the Rise by Pure Country Radio, Genevieve Fisher is racking up buzz within the country music scene. While she’s hard at work on a concept album due out later this year, Genevieve has gifted fans with “Now We’re Talking,” a heartwarming country bop about falling in love with a boy from the bar and building a life together—a story that meets Genevieve exactly where she is in life right now.

To celebrate the one-month anniversary of the song’s release, Love at First Listen connected with Genevieve to get the inside scoop on recording “Now We’re Talking” in a closet, balancing mom duties with songwriting sessions, and what to expect from her next.

Let’s talk about “Now We’re Talking.” As it heads out to Canadian country radio, tell us how you landed upon this song and what it means to you.

My producer Jason Massey was one of the co-writers on the song along with Steven Lee Olsen, MacKenzie Porter, and Lydia Vaughan. Back in the summer, I had reached out to him asking if he had any potential songs that would be a good fit for a radio single. He sent me this one, and I fell in love with it right away. The first thing I asked was, “But is it up for grabs?” Sometimes you get a song sent to you, but it might be on hold or whatever. So, he reached out to MacKenzie and was like, “Hey, do you have any intentions of recording this one?” She went back to her people, chatted with them, and she said, “No, it’s up for grabs.” So, I was very happy to get my hands on the song. I actually met my husband in a bar called Cowboys and we’ve been together ever since, so the lyrics of the song really hit home for me.

I read that you and Steven Lee Olsen have collaborated before, so this song must have been extra special.

On one of my first writing trips down to Nashville, I actually co-wrote with him and Jason Blaine. So, that was — my gosh — back in 2011 or maybe even earlier. He’s just a phenomenal guy and songwriter, and he’s hilarious as well.

What we all love about music is that because it’s so universal, something you didn’t necessarily write can still resonate with you. How would you relate that to “Now We’re Talking,” and are you hoping this song is going to manifest future collaborations with that great country bunch?

The last verse of the song talks about having two kids, a couple acres or two… My husband and I recently built a house out in the country, so you’re right that certain songs you don’t write can feel like they are your song because of just how much you can relate. I would love to collab with MacKenzie Porter in the future. And with Steven, I haven’t written with him for a while, but it would be great to get back in a room together for sure.

“Now We’re Talking” was produced in Nashville, but you recorded your vocals at home in your closet! How do you make the space cozy and conducive to getting clean vocal cuts?

I started recording vocals at home when COVID hit, which was a whole new ballgame for me. I’m not a techy person at all, but I get cozied up in my closet and I’ll throw blankets and towels down to dampen the sound a bit more, though the clothes help as well. It’s just a good spot, but hopefully down the road, I’ll build a little home studio and have it as my writing and vocal space.

You’re officially in your “mom era” but I know you still have a lot of music left in you. How are you embracing and balancing being a mom with everything around being an artist?

I think it’s just finding that happy medium. This is a time in my life that I’ll never get back, so I want to make sure I’m super present for my sons, but music is still such a part of me. I do a lot of my writing now from home, which makes it a bit easier to work on music. I also really want to show other independent female artists that you can absolutely still have a baby and be successful. Some days are harder than others. Some days my brain is like, what is happening?

Are you able to sneak “Now We’re Talking” or one of your other singles into a car playlist or have it on around the house? How do your sons react?

I laugh because I’m like, [my son] Cal should know the words to that song even though he was like three months old when I sang it. But [my other son] Harrison’s kind of funny. He’s three and he hasn’t quite grasped my voice yet. So, he’ll hear a song and be like, “Mama, is this your song?” I’m like, “No. We’ve got to work on this, bud. You’ve got to be able to decipher my voice from someone else’s!” But it is cute.

Not only is it resonating with all ages, but “Now We’re Talking” is such an upbeat and fun love song that’s practically begging to be performed live! What do you have in store musically for the rest of the year?

My first show of the summer is actually Canada Day in Grand Bend, Ontario, and I’m super pumped about that. They expect thousands of people, so that’ll be a ton of fun. I have more shows later in the summer that I haven’t announced yet and hope to add more as I ease back into this. It’ll be fun to bring the boys to the shows as well.

From what you’ve written for your next project so far, what is the vibe shaping up to be, especially compared to what fans have heard from you before?

Some of the songs are a bit slower and more emotional. I feel like in the past, I’ve been so focused on releasing fast, fun, upbeat, party drinking songs, whereas right now I’m just rolling with this time of my life. One of the songs that I wrote with my good friend Shantaia is about my son Harrison and we wrote that a few years ago, but it hasn’t been released yet anywhere. Another one of the songs is like Chris Stapleton and that very soulful vibe, and that’s more of a love song. I feel like when people listen to this album, it truly will be what I’m hoping, which is to have the different parts of my life have different sounds as well.

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