Love at First Listen with MacKenzie Porter

MacKenzie Porter Interview Love at First Listen 2023

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a new series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

Canadian country queen MacKenzie Porter is the definition of booked and busy. If it feels like she’s been racking up a new set of career milestones every few months, it’s because she has—she was named to the CMT Women of Country Class of 2021, earned Academy of Country Music Award and American Music Award nominations for her duet with Dustin Lynch, “Thinking ‘Bout You,” which also marked her first U.S. Country #1, and landed a sixth #1 at Canadian country radio with her latest single “Chasing Tornadoes.”

Shockingly, despite years of homegrown and international success, MacKenzie has yet to have a moment to celebrate with Canadian audiences. That will all change when she embarks on her first nationwide headlining tour this week, starting Friday (November 3) in Toronto. Soon after, fans will gain a whole new set of songs to memorize and play on repeat when MacKenzie releases her long-awaited debut album in the first quarter of 2024. So, it’s safe to say the MacKenzie Porter country reign is just getting started.

In this edition of Love at First Listen, MacKenzie reflects on her whirlwind journey and shares a first look at her new tour setlist (read to the end to find out how you can meet her at the shows!).

“Chasing Tornadoes” is the lead single off your upcoming debut album. Amongst all the material you had written to date, how did you decide this song was the one to officially kick off a new era?

The new record is way more country than some of the other stuff I’ve been putting out before. We still have my pop influenced parts of it, but I think the overall sound is more like wooden instrumental—like there’s fiddle on almost every song. So, “Chasing Tornadoes” is a good bridge between “Pickup,” which is a lot more poppy, to this record.

For anyone who hasn’t heard “Chasing Tornadoes,” can you describe the story behind the song?

It’s about being in a relationship or a situation that you know is probably not good for you. It’s chaotic and messy and might not end amazingly, but there’s something that’s fun about that. I think we’ve all been in situations where you’re like, oh well, I’ll deal with the consequences later. So, that’s what the song is about and it’s actually kind of cool because I did not write this song. There’s going to be 20 songs on the record, and I’ve written probably 12, but this is one Lainey Wilson wrote. I love Lainey and her record was finished, so this song of hers worked perfectly on mine.

Given all you’ve accomplished in a few short years, is it even possible to take a moment and let everything sink in, or is life just a constant string of pinch-me moments?

It sounds sad because obviously I should be enjoying those moments, but by the time something like a #1 is announced, I’d put the song out months ago, so we are already working ahead on the next project. But of course, we’ll always have a glass of wine or do something to celebrate.

Let’s talk tour! Aside from the fan favourites, how much new music can concertgoers expect to be amongst the first to hear?

I’m definitely going to play new songs. I want to make sure I play all the ones that people want to hear and that they know because when I go to a concert, I want to hear the hits. But I also really want to bring people into this new record, and that’s what you’ll get when you come to the show. I’m going to do some old, old songs that I first put out, and then this era of the last three years, and then the new era, including my favourites off the record. So, it’ll take us through the whole thing.

On Instagram, you’ve been asking what songs fans want on the setlist. Was there anything they were requesting early on that made you stop and go, ooh, maybe I actually should add that?

A lot of people were saying early, OG songs like “I Wish I’d Known,” which was the first song I put out in like 2013. I was not planning to play that song, but now I’ve got to go back and listen to it and relearn it. I also want to have moments where if somebody’s yelling from the crowd, you’ve got to play this song, I want to make sure that I can play it as well.

Performance outfits are half the fun of touring, and you’ve shared some try-on videos online. Talk to us about your on-stage style! How does it differ from your day-to-day fashion?

It differs quite a bit. I wouldn’t wear a sparkly dress—I’d actually probably be in sweatpants most of the time. But I always think that my stage style has the exaggerated outfits of my life. I love unique pieces. That process of shopping is so fun for me.

Opening these shows is our friend at Love at First Listen, Griffen Palmer. How did you connect, and how excited are you to have a fellow Canadian and labelmate on the road with you?

I actually cut a song that Griffen wrote called “Drinkin’ Songs,” so hopefully we’ll get to write some songs on the road too. But I’m really excited. His music’s incredible, and Canada has been the place that I have really been able to build a career. So, I always want to bring other Canadian acts out and support that industry because it does mean a lot to me and it is really the reason I get to do this for a living.

You’re also hosting your inaugural Country vs. Cancer benefit on November 20, where you’ll be joined in Nashville by Dustin Lynch, Walker Hayes, Lily Rose, and Nate Smith in support of the American Cancer Society. Why is it important for you to use your voice to amplify causes close to your heart?

What’s the point of having an audience if you can’t try to do some good with it too? I mean, making music and having people relate to your songs and being able to help get them through a hard time is incredible. But I do feel the responsibility to try to do more, and that cause is really close to my heart because my mom had breast cancer. So, this is raising money for all different types of cancers, but October was Breast Cancer Awareness Month. We had help in those times from family and friends and I want to be able to pay that forward as well.

Event poster announcing MacKenzie Porter's inaugural Country vs. Cancer benefit concert in Nashville on November 20, 2023.
After wrapping her debut Canadian headlining tour, MacKenzie Porter will head to Nashville to host her inaugural Country vs. Cancer benefit concert with former collaborators, labelmates, and other peers.

Spending so much time on the road, have you picked up any self-care secrets that help keep your mind, body, and voice healthy and ready for the next gig?

I definitely warm up for every show. I actually used to do a shot of vodka or something, but I’ve stopped doing that because I do feel like rest and keeping your body healthy when you’re going that much is so important. We do grueling days where it’s a 5 a.m. start, you travel all day and you play the show, and then you do it again the next day. So, I’m really trying to be healthy and clean to keep up with the schedule and not get rundown.

Do you have a message to send to your fans who will be seeing you at an upcoming show or to anyone who needs a final push to buy a ticket?

This Canadian tour is a first for me, so it’s a really special moment for me to get out and really thank people for the last five years or more of my career. They’ve shown up for me, and I hope we really show up for them on this tour. And after the show, I’m just going to be hanging out and meeting people and thanking people and taking pictures and all that until literally the last person leaves the venue. So, it will be a more intimate experience than just a regular show.

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Love at First Listen (Round Two) with Griffen Palmer

Griffen Palmer Interview Unlearn 2023

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a new series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

In February, I spotlighted rising country artist Griffen Palmer, who quickly established himself as an Artist to Watch in 2023 with his still-trending introductory release “Second Guessing.” There was certainly no “second guessing” his star talent and he is showcasing it again on his debut album, ‘Unlearn,’ out today (Apr. 28). Boasting some of the most vulnerable tracks of his songwriting career, ‘Unlearn’ is a musical journey covering life, love, family, relationships, and all the moments in between. The album also has several jam-out moments, perfectly suited for the upcoming summer festival season.

To celebrate album release day, I caught up with Griffen for a Love at First Listen (Round Two) to reflect on his whirlwind year to date (a single, two music videos, and this album — and it’s only April!), hear his message for teenage Griffen, and reveal where he will be performing this summer.

It feels like just weeks ago you were making your introduction to the world as an artist with “Second Guessing.” What was going through your mind when you pressed publish on that first social media post announcing today’s album release?

It’s crazy how last time we talked was before the first song came out and now here we are again with so much going on. At the time, I just felt like, ‘We’re here!’ This whole project has been four years in the making, so it’s fun now that all the hard work is behind me—for the most part—and I can share it all with people. It’s a really awesome feeling.

Rising country artist Griffen Palmer in the studio with a producer from his debut album, 'Unlearn.'
Griffen Palmer in the studio working on his debut album, ‘Unlearn,’ out today (Apr. 28). (via Griffen Palmer/Instagram)

Let’s talk about the title — ‘Unlearn.’ What does that word mean to you in the context of this album?

The title track is the most personal song on the record, by far. My parents split up when I was eight years old, so relationships looked a little confusing to me when I was a kid. The song is about growing up, learning to make the decision of what that looks like for yourself, and unlearning some of the bad habits or things you thought were true but aren’t necessarily true. It was one of the last songs we added to the record because it was one that I felt pretty overwhelmed about sharing, but the more I started playing it for people, the more I realized it was a universal feeling. It felt like if I was going to put out one song for people to get to know me and a bit of my story, this seemed like the one.

This album is the culmination of four years spent writing hundreds of songs. How did you narrow that all down to eight songs, and were there any that called out to you first?

“Second Guessing” was such a big part of my story. “Came Here to Leave” was a song I really loved and had a fresh take for the record. “Bottles on the Table” was also always a frontrunner in my mind. A lot of them just felt like they needed to be a part of this. They felt different, they felt like me, and they were ones I was most excited for people to hear.

I’m a big fan of weaving song titles into questions, so was there a song you were “second guessing” putting on the final tracklist but are ultimately glad made the cut?

“Unlearn” is that one for me. I’d never released a very personal song as an artist before, so I just wasn’t sure how vulnerable I really wanted to be. I’m so glad in the end I decided to do it.

You mentioned on Instagram that you’ve been “dreaming of putting out [your] own album for as long as [you] can remember.” What message do you have for young Griffen now that the big day is finally here?

This is actually funny. My dad just found a letter I’d written in seventh or eighth grade that was supposed to be written to myself in college. In it, I’m asking myself, ‘Are you still playing guitar and writing songs? What’s going on with that? I hope you haven’t given it up yet.’ So, this really has been something I’ve been doing for a long time. I would write a letter back saying, ‘All those times you are regretting or nervous about if it’s going to work out, just try to keep having fun and you’ll get there eventually.’ I would save myself some sleepless nights worrying if it’ll ever work out for me.

You just wrapped a run of tour dates opening for your Big Loud labelmate, Lily Rose. What does the rest of this spring and summer have in store for you? (Last time we spoke, you mentioned more opportunities for fans to see you live!)

Our festival dates are just getting announced now. We’ll have the whole band out playing in British Columbia, Lasso in Montreal, and a bunch of shows in Ontario, along with some U.S. stuff including CMA Fest. I can’t wait to just sweat in the streets of Nashville with everybody. It’ll be great, and it’s all fun stuff on the horizon.

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Love at First Listen with Royal Wood

Royal Wood Interview

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a new series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

Canadian singer Royal Wood may not know what tomorrow brings, but he’s perfectly happy living in the moment—especially after two years of not being able to release music or perform for his dedicated fans. Out today, his eighth studio album, ‘What Tomorrow Brings,’ is an open book that touches on themes relatable to every listener, from navigating the chaos of uncertainty to leaning on your loved ones and finding the fortune in misfortune.

If that wasn’t enough to celebrate, Royal Wood just wrapped a brief Canadian tour that concluded with a hometown show at Toronto’s iconic Massey Hall and released a mini documentary, What Tomorrow Brings: Behind The Album, that goes behind the scenes of one of his proudest projects to date. It seems like everything’s worked its way up to this point, yet it’s truly just the beginning.

For this edition of Love at First Listen, I sat down with Royal Wood hours before he stepped on stage at Massey Hall to talk about today’s album release, documenting the stories behind the songs, and what tomorrow really brings.

Between headlining Massey Hall and releasing ‘What Tomorrow Brings,’ how does it feel to have all these major milestones happening at once?

It feels like the right time—and about time. My wife and I had two children during the pandemic and we now live in the country, so our whole lives had this massive paradigm shift. Recently, there’s been a subtle voice in the back of my brain saying something’s missing. As much as I have everything, it’s not everything. To be back playing shows with the band, putting out new music, and scratching that itch, I’ve got all the pieces back!

What inspired you to have cameras document the stories behind the songs with What Tomorrow Brings: Behind The Album?

I wish I’d done that kind of stuff earlier. I’m very fortunate and blessed with the producers, musicians, and studios I’ve worked with over the years and, other than a couple of Polaroids and a few snapshots on a phone, we haven’t captured things because we were too busy doing them. I don’t know how many albums I have in me­—no one ever does—but I love this part of my life. So, even just to show our sons one day and say, “This is what daddy did when you guys were babies,” it felt like it was the right time.

In the documentary, you reveal the album was almost ready to go before the pandemic, but you waited to be able to tour and properly celebrate its release. How did that end goal impact the way you revisited the songs you wrote pre-pandemic?

I was in the UK finishing up the last couple songs as the pandemic was happening. My wife was texting me photos showing no groceries and no toilet paper in our grocery store, so I got on a plane, came home, and then all the chaos started. For the first time in my life, I didn’t have any shows coming up and I didn’t want to put out this record without a chance to perform it and celebrate all the pieces that come with it—even just sitting here with somebody to talk about it. I started listening back in a Leonard Cohen kind of way, examining every lyric, line, and melody. I emerged with an album I think is one of my best. There’s one song I completely dropped because I realized I’d done it so many times before, and then I ended up writing a new song called “Because of You.” So, I really got to wrap this album up in a perfect little bow.

Royal Wood Artist Toronto
Royal Wood photographed October 29, 2022 at Massey Hall in Toronto.

You also specifically call out the Massey Hall show in the documentary. What does this venue mean to you?

I remember my first show here at Massey Hall, my drummer, who was also my English teacher in high school (shout out Mr. Milner), took me to see Lou Reed. I’d been to little theatres and shows before with my dad, but I’d never seen a venue like this. At that moment, I said to myself, “I’m going to headline here.” I did it for the first time in 2018, and then I also recorded a live record, ‘Royal Wood (Live at Massey Hall).’ To be back, knowing that I got to be one of the last artists to perform here before the renovations and say goodbye to the old Massey, feels amazing. 

As the album title suggests, you may not know what tomorrow brings, but can you tease anything you have in the works for 2023?

I’m working on an instrumental record, a collection of B-Sides, and an alternate acoustic version of ‘What Tomorrow Brings.’ I’m also finally going to start chipping away at a Christmas record. So, there’s a lot of recording and then the doors are open to tour again. I have Western Canada, Eastern Canada, and a bunch of stuff in the States coming up, so it will be busy. But for anyone coming to the shows, I hope they come away having seen five musicians playing music together that not only love the music but love each other. We missed the camaraderie and the laughs and hanging backstage and offstage again is just as good as being onstage.

Do you want to shout out any of your Canadian peers whose music you’ve loved at first listen?

My current one to watch is Tim Baker. I’ve known him for years since we broke together and followed each other’s careers, but his new record is so stunning. Also, Mathew V, who just toured with us, is amazing. He so deserved his JUNO nomination and I’ve never had an opener before get standing ovations every night like he does. Him and his band members helped us set up and tear down each night and that shows he’s just a good Canadian kid.

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