Interviews, Love at First Listen, Music, New Music Friday

Love at First Listen with Shantaia

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Shantaia Interview Love at First Listen 2024

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

If you know Canadian country singer Shantaia from her 2020 debut single “I Wish You Would” or her 2023 album ‘Exes and Friends,’ make room on your playlist for Shantaia 2.0. Her recently-released summer smash—and guaranteed love at first listen track—“What I Wouldn’t Do” blends the best of her familiar country twang, catchy melodies, and cool girl vibe with a sultry yet soulful new aura. There’s only one thing to wonder: What we wouldn’t do for more like this!

In the thick of festival season, Shantaia has stayed hard at work on a sophomore project, tentatively scheduled for early 2025. But when we recently chatted with her, she teased that fans won’t have to wait that long for a taste of what she’s been cooking up. Read below to see what else Shantaia had to share about her whirlwind rise, the move that changed her life, and the things she actually wouldn’t do for love.

Welcome to Love at First Listen! How are you feeling about all the buzz “What I Wouldn’t Do” has received to date, and for those who haven’t heard the song, what is it about?

It’s a new sound for me, so I think that there was this shock factor in a good way. It’s been really cool to see people react to it. I wrote the song from a perspective of desperate love — something that you just can’t get enough of, and you would do anything for this person. I think people can relate to it in two different ways. It can be somebody who’s maybe not that good for you and it’s that toxic love, or it can be just true, deep, desperate love for somebody you’ve been with for a long time.

This is your first release in over a year, and I understand you really wanted to take the time to figure out exactly what you wanted to say and how. What pushed you to take new risks with your lyrics and sound?

I released a full album last February, so after dropping that project and trickling the last single off of it to radio, I asked myself, sonically and musically, am I saying what I want to? I think lyrically, I’ve always been a true songwriter and saying what I want to say in the moment. But I was sort of questioning like, is my sound authentic? Is this really who I am, or am I confining myself inside a box? I’ve been in Nashville for four years now, and there’s a lot of people in this town who aren’t afraid to challenge themselves, which is really inspiring. So, why should I be afraid to also push those boundaries and put out the music that I want to make, not what other people expect from me?

How has your sound ultimately evolved over time, and are there any specific songs or artists that have helped craft it?

If you listen to my previous stuff, it’s a lot more in that pop country vein, but I grew up on so many different kinds of music. For years, I’ve had so many mentors and fellow artists and producers tell me I have such a soulful voice and that I should utilize that more. I kind of shrugged it off like, oh, nobody wants to hear that. I’ve always been a huge Chris Stapleton and Maren Morris fan, and they really fuse the soulful blues and R&B genres into country. Country music now veers in all these different paths so that it’s acceptable to cross those lines a little bit. If you’ve listened to “What I Wouldn’t Do,” it’s a lot more in that bluesy, groovy, kind of vibey pocket you wouldn’t typically hear on the radio.

You describe your artistic aesthetic as a combination of Daisy Jones fashion, Teddy Swims swag, and Chris Stapleton country soul. How do those three influences shape the way you bring your music and energy to life on stage?

I love makeup and sunglasses and jewelry and all the things, so branding and marketing are really fun for me to figure out whether the fashion is making sense with the sound. I feel like now more than ever, I’ve been able to really play with some ‘70s inspiration. I’ve always been a bell bottom girl, and sunglasses have been an obsession of mine since I was 15 buying random sunglasses that I thought were cool all over the country. So, I think being able to play with fashion on the performance side of things is really fun to then connect it to the music.

This song is about addicting, all-encompassing love and doing things you normally wouldn’t do when you are in a relationship. In reality, is there anything you truly wouldn’t do for love? What are your non-negotiables?

It’s funny you bring this up because on release night, my friends and I were at the bar celebrating the release of the song and we started this TikTok of ‘what I actually wouldn’t do for somebody.’ A bunch of my friends were like, share a toothbrush with that person, or share my last chicken nugget. I don’t even think I ended up doing one, but there’s a lot — like I actually would never share a toothbrush. That grosses me out so much. I would not get a tattoo. I love my fiancé Kenan, but we will never get matching tattoos because that scares the heck out of me. I mean, I love tattoos. I have a couple tattoos. But I just feel like you’re cursing the relationship a little. There’s just something with putting it inked on your body where I know it’s removable, but it’s also expensive. It’s unnecessary!

@shantaia.music I feel like there are some confessions in here… some were unexpected hahaha! What I Wouldnt Do is OUT NOW!! #friends #reddoor #confessions #whatiwouldntdo #newmusic #friendchallenge @Andrew Scholz @Teigen Gayse @Keenan Sjodin @Brandy Neelly @bergerboo @Dylan Gerard @Alee @Jordan Honsinger @Baker Grissom @Mallory Johnson ♬ What I Wouldn’t Do – Shantaia

You won the Boots & Hearts 2024 Emerging Artists Showcase and, more recently, the SCMA Award for Country Album of the Year. How validating is that industry praise, coupled with the unwavering love and support of your fans?

I feel like as artists, we are so busy grinding, and I know I don’t think about the awards when I’m in the thick of writing the songs. It’s just when it comes around and you’re like, oh yeah, I guess I’m eligible for this, and then it comes to final ballot and you win the award. It’s really cool to see the support from all your friends and even artists across the country that notice and say how well deserved it is.

I also feel like Canadian country music is so special. The last time I flew into Nashville, my friend Teigen Gayse picked me up from the airport and we went straight to a bar here in Nashville to watch the final Oilers game with a ton of Canadians and we had so much fun. I think we trauma bond a little bit because it’s hard to move to Nashville and there’s a lot of hoops to jump through. We really latch onto each other like, how did you do this, and how did you apply for that visa? It’s all these questions where I think that you can feel really alone unless you have your fellow Canadians to help you through it. We definitely don’t just run into each other – we make a point of sticking together.

You talked there about the journey of moving to Nashville. Is there one piece of advice that you would offer to young musicians looking to make that jump themselves?

I think every single artist should experience Nashville in a way that actually embodies moving here. Like, I think it’s one thing to come here and write songs and see Nashville in all its glory for a week, but I think there’s so much progress and so many connections that you can make in this town that can just be life changing. The only way you can do that is if you’re here feet on the ground and actually living here.

I spent a lot of years coming to Nashville back and forth, but I feel like those connections didn’t fully turn into friendships or opportunities until I moved here. It’s like people didn’t fully take me seriously, and I’ve had a lot of producers and songwriters admit that to me. They said, yeah, we always wait and see if you actually make the leap. So, I think you can let Nashville intimidate you by all the talent that is here, or you can let it inspire you and light a fire. I think that if you go in with that mindset, you’re going to be golden, you’re going to get a publishing deal, or you’re going to start writing with people who are number one hit songwriters. I could go on for days about this. I think that me moving to Nashville was one of the best decisions.

For what you’ve written since “What I Wouldn’t Do,” would you say the music shares a similar sound or are you still evolving the vibe over time?

I think I’ve definitely found the creative confidence. I even co-produced “What I Wouldn’t Do” and I think it has let where my brain naturally goes just evolve and be at its best capacity. Expressing myself with this sound is coming really easily. It’s definitely a little edgy and there’s also some poppy stuff. I’m really excited to just start sneak peeking some more of it and hope everybody loves it as much as I do.

“What I Wouldn’t Do” will be on all our summer playlists. Do you have any early predictions for your personal song of the summer?

Honestly, as much as I want to fight it, the Post Malone / Morgan Wallen song “I Had Some Help.” I think that’s just everybody’s song this summer. Especially with Morgan’s bar opening in Nashville, it’s on constant rotation there and in everybody’s vehicles driving down the street. I really like Post Malone. I think he’s unique and not afraid to cross the boundaries. I’m also obsessed with Sabrina Carpenter. She is putting out some really cool stuff.

Do you have any live shows booked that fans should mark on their calendars?

I’m a little bit all over. I was just in Saskatchewan for the Living Skies Music Festival in Humboldt. It was their first year and we played with James Barker Band, Jason McCoy, and a few other great Canadian artists. I also played a show in Toronto at Junction Underground with Tae Lewis, who was a Top Nine finalist on The Voice and has Dan + Shay in his back pocket. I’ve been friends with Tae for years and seeing his journey has been really sweet. I’m heading to Cold Lake, Alberta for a show with Blackjack Billy at Full Throttle Music Festival on July 19, and then we do Boots and Hearts. When I talk about my summer, it’s like it’s come and gone already because it’s just going to be so busy, but I’m really excited to be out playing shows and playing some of the new music. A little birdie told me there might be a pre-kickoff party in Toronto for Boots and Hearts!

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Interviews, Love at First Listen, Music, Music Monday

Love at First Listen with Madisyn Gifford

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Madisyn Gifford Interview Love at First Listen 2024

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

We all know the giddy, giggly, swinging-my-feet feelings associated with a new crush. Get ready to reminisce on being seventeen again: Vancouver pop darling Madisyn Gifford captures all of the fear, excitement, and embarrassment associated with new love, this time experienced as an adult on her new summer single “Seventeen,” which dropped on a pretty significant day—her 24th birthday.

Love at First Listen caught up with Madisyn to chat about how the song came together in personal record time, why her next album will be her happiest yet, and which tracks fans might be most excited to claim.

First of all, happy belated birthday! How excited were you to celebrate the release of “Seventeen” on such a big day for yourself both personally and professionally?

I love birthdays so much. I love any excuse to celebrate. So, getting to have two things on that day was fun. I’ve also been out of the release cycle rhythm for a while. For three years I was putting out music pretty much every six to 12 weeks almost like clockwork, but I haven’t done it in almost a year now. It’s been a nice break and I’m excited to get back into it.

Can you take us behind the scenes of your creative process? You worked with Jared Manierka, who has worked extensively with artists like Carly Rae Jepsen. How long had you been sitting on this song and how much of it did you have in mind when you first went into the studio?

It’s funny because this is actually one of the most recent songs we’ve written for the record that we’re working on right now. I brought it to Jared two and a half months ago, which in record release time is not a very long time ago. We just had so much fun making it and it came together really quickly, which doesn’t always happen. I have a song on this record that we’ve been trying to make for almost three years. I wrote this myself on my guitar in like 10 minutes and then we made it into this fun little folky, sort of country-esque song, which is the music I’ve always wanted to make.

Your music is very fresh but nostalgic at the same time. It’s folk-tinged pop but you can also hear some country influences, especially on “Seventeen.” Who are some artists that you’ve loved at first listen as you shaped your sound?

My go-to answer is always Ani DiFranco. She was my songwriting icon my whole life. I literally think I learned songwriting from just listening to her discography on loop as a kid. The Chicks, love them so much. Taylor Swift… I’m a girl in her 20s, so she has been a crazy influence for me my whole life. “Mr. Jones” was my favorite song while growing up and Counting Crows is one of my favorite bands. The list could go on forever… Stevie Nicks, obviously. Come on!

This is the first single off a forthcoming album. How is it going, and where does “Seventeen” fit in its sonic world?

We chose “Seventeen” as the lead single because I feel like it is a decent representation of the entire record. This record is going to be my happiest album I’ve ever made. Don’t worry, there will still be sad songs, but it’s definitely the happiest one I’ve made thus far in my career. It’s going to be called ‘A Quiet Contemplation of Sunshine.’ It’s very summery and folky, but poppy still and very fun. It has lots of live instrumentation and not a lot of pop synth sort of production, which is new for me. So, I’m really excited.

You mentioned embracing a summer vibe. Can fans expect to hear more of the album soon?

We fought to try and get it done earlier this summer, but we’re still chipping away at it. It should hopefully be coming out in October, but there will be more singles and stuff to come throughout the summer for sure.

Ahead of your last record ‘Sleeping on the Ceiling,’ you said your only goal was to write songs that scare you. When you’re writing bits of lyrics in your Notes app and bringing those lyrics to life in the studio, how do you push yourself to be vulnerable and pour everything out on paper?           

It’s interesting because with this record, I almost had the exact opposite mindset as I did on my last one. I’ve never been very good at writing happy music, but especially on this record because I’m in such a different phase of my life, I feel like I’ve kind of figured things out a little bit. In my mind, I’m not a teenager anymore. I’m a generally happy person now, which is cool—I worked hard to get there! I wanted to write an album that represented that, so I think my mindset going into this one was like, how can I truly represent what’s going on in my brain in my day-to-day life and not just delve into past things that I’ve already kind of sorted through? I don’t need to keep digging up that old stuff, you know. Whereas on ‘Sleeping on the Ceiling,’ I was still really trying to sift through things and figure out my stuff and it shows on the record. I was trying to figure out my brain and my trauma and what was going on up in there, but now I’m like, okay, I did that. Let’s move on!

Do you feel that writing and recording this music and putting it out helped you get through those emotions so that you are now in the position where the next record can be happier and more upbeat and all those things naturally?

100%. For new friends I meet, I’m always like, if you listen to my music in order, you’re going to be able to find out an absurd amount of things about me because [everything] is so autobiographical. When you go back through every record, they all feed into each other. Every single outro leads into the next intro, and they all tell a really clear story of my life from like, 20 years old and onward.

Have you started building the tracklist for this next record, and are there any song titles that might catch our eye?

Oh, that’s a really good question because I’m the same way. I love a good tracklist. I do have the tracklist pretty much done—not in order but done. The title track, “A Quiet Contemplation of Sunshine,” is going to be the first track. There’s also going to be a song on there called “Father’s Day.” That is the song we’ve been working on for like three years and just trying to make it work, but I think it finally works on this record. There’s another one called “Fast One” and one called “Overpriced” that I’m excited to share.

What’s the best piece of advice you’ve received about making music that you can pass along to anyone reading this who may want to follow in your footsteps?

Something I tell literally every single person I know is if you have kids or you know anyone who is thinking about going into the music industry and making music, please encourage them to write their own music. Write your stuff and get credits for what you’re writing because it’s everything. I don’t think people realize when they’re first starting out how much it matters. Pretty much one of the only ways that you can make money in this industry is through publishing, and it’s just such a special ability to have to be able to write not only for yourself but for others. Someone told me that when I was around 17 and I decided I wanted to do this. He sat me down and was like, the only thing I can tell you is just write as much as you possibly can. It just takes one song, if you get one song that does well, it’s all it takes. So, just keep writing.

To wrap up, where can people find and follow you online?

Everything is just madisyngifford with a Y instead of an O because my parents wanted to make things difficult for me. And my TikTok is maddyg.raps because that’s what people called me in high school!

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Interviews, Love at First Listen, Music, New Music Friday

[Artists to Watch] Love at First Listen with Dayna Reid

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Dayna Reid Interview Love at First Listen 2024

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a new series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

When emerging Canadian country talent Dayna Reid pulled up her latest Spotify Artist Wrapped statistics, she discovered that more than 129,000 people had streamed her work in her first full year with music out in the world—no small feat. The success of her debut EP ‘Back to the Trailer’ inspired this Artist to Watch to come into 2024 with a gripping new single, “This House,” and its emotionally charged music video, out today (Jan. 26). As for what’s on the horizon, Dayna is gearing up to share more music, more live shows, and much more of the authenticity and vulnerability listeners have come to love.

In her first interview for the new single, Dayna gave us the inside scoop on “This House,” her country girl gang, and how she continues to turn her biggest dreams, including an upcoming album release, into reality.

Welcome to Love at First Listen! When you reflect on 2023, what was the biggest pinch-me moment, and what musical goals have you set for yourself in 2024 to go above and beyond what you accomplished in the last 12 months?

I went from working to support kids with special needs full time to hearing my song on the radio. I was actually with one of the girls that I support while I heard it for the first time, so that was a total full circle moment. We pulled over and we were jamming out together. I feel like I have my foot in the door now, so this is the year to kick up a level and share the rest of my album because it’s been done for a while. I am really excited to be able to get to Nashville, write and release a lot more music that I’m proud of, and connect with more people within the industry and listeners as well. I think that’s one of my favourite parts of this industry—meeting so many amazing people.

You say your new single “This House” is “for anyone who has a dream or a vision of what their life could be like but may not know how to make that dream their reality.” How do you relate that message to your own journey as an artist?

There’s a point in a lot of people’s lives where they have this vision for themselves of what they want to pursue, or they know that they want their life to look a certain way, but they don’t know how to make that happen. And I think through writing and releasing the song, it genuinely helped me get to where I’m at right now.

While I was writing this song, I was in a very different mindset than I am right now. It was actually the first song that I ever wrote with my co-writers, Beverley Mahood and Mac Shepherd, so it’s pretty crazy to see how much things have changed since and how much it’s really helped me believe that it’s not [about] running away from your problems, but instead running towards what’s best for you this time instead. I never really understood that growing up until it came to the point in my life where I realized doing what’s best for you isn’t selfish and it’s going to get you to where you [achieve] your own happiness.

Dayna Reid posing with her billboard for "This House" in Toronto's Yonge-Dundas Square.
Dayna Reid posing with her billboard for “This House” in Toronto’s Yonge-Dundas Square. (Courtesy of Dayna Reid/Instagram)

The music video for “This House” is just as stunning as the song. How much of a role did you play in crafting how the song would come to life on screen?

While I was out in Vancouver for the SiriusXM Top of the Country competition, my team got me together with a really amazing director, Stephano Barberis. He is one of those people that you meet and you know they’re special. I wanted this feeling of being in this house or space of mind and finally unlocking those doors, and not even really unlocking the doors but unlocking your potential in a way too. Where we shot the video, that house was over 150 years old or something, surrounded by mountains, and it’s only specifically for video shoots and TV scenes. So, you went in there and you could just feel an energy shift. I was like, okay, this is definitely the place to do this video.

In a sea of new country artists, how would you describe your musical aesthetic to someone first discovering you?

I grew up listening to all kinds of music. My dad was the rocker, so I have the classic rock influence in that sense. But my whole family on my mom’s side is very into older country, like ‘80s, ‘90s, and even a little bit early 2000s. So, I really want to get that into my music because that’s where I feel like my lane is as well.

Speaking of music that country audiences are clearly loving at first listen, your debut EP ‘Back to the Trailer’ featured your Top 40 single “She’s Me” and fan favourite “The Way You Lie.” How would you compare the sound of that EP with what fans can expect to hear this year?

I think that all the songs play a part on the album—like everything has its own feel to it. “She’s Me” was the song that I wanted to put out to help empower people. “The Way You Lie” was for all those girls out there that had been lied to once or twice and they’re done with it. And then a song like “This House,” that’s another song that is very personal in a way too. I want to be able to share that side of me [with] people as well because I think being authentic and real and being able to talk about things like that with others is a whole other level of this industry.

That music also earned you great critical acclaim, including titles like iHeartRadio’s Future Star and touring opportunities with Tim Hicks and Hunter Brothers. Do you have any dream gigs for 2024 that we can help you manifest?!

I know that I’m doing a few festivals in the summer, but any opportunity is a good opportunity, especially being an up-and-coming artist. Touring with the Hunter Brothers was amazing because they are just salt of the earth kind of people and I always went to Tim Hicks’ concerts with my girlfriends growing up, so to be able to perform with them more too would be awesome.

This interview series is all about showcasing new and emerging artists. Can you shout out any of your country pals who we should have our eyes and ears on this year?

Hailey Benedict and Teigen Gayse—those are my girls! They’re honestly the sweetest and so talented. I was in the Top of the Country competition with them and that’s how I got a little bit closer with each of them. They’re killing it out there, and I love being able to support other women.

What else can fans look forward to throughout the year?

It’s funny—the first album that I wrote had a lot of stories about me growing up in a very small farming community in Elmvale, Ontario, which is close to Wasaga Beach. It was a lot about my life experiences at that time, whereas the new music coming up is about this next chapter of my life too. So, I’m hoping that people who are listening can go on that journey with me.

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Interviews, Love at First Listen, Music

Love at First Listen with Kalsey Kulyk

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Kalsey Kulyk Interview Love at First Listen 2023

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a new series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

With her refreshing brand of poetic country, Canadian songstress Kalsey Kulyk is making her mark on country music and showing no signs of stopping. With past experience working with industry heavyweights including Lainey Wilson and opening for country jammers like the Hunter Brothers, Kalsey’s latest release, “Love Me Like an Outlaw,” is enjoying great success in the top 30 at Canadian country radio and continues to rise. Having also trended on Shazam and Stingray and being selected as One to Watch by Rogers, the song’s success is setting the stage for an exciting next year for the emerging star. But first, she’s joining America’s Got Talent fan favourite Drake Milligan on the road for three Western Canadian dates, blessing Saskatoon Dec. 6, Edmonton Dec. 7, and Calgary Dec. 8 with a can’t-miss night of music.

In this edition of Love at First Listen, Kalsey shares the story behind the single that was five years in the making, the surprise cameo in her latest music video, and how to win free merch if you’re seeing her open for Drake later this week.

You had “Love Me Like an Outlaw” in the vault for nearly five years before you released it this summer. What made you decide this was the right time to share it with the world?

When I wrote that song back in Nashville in 2018, I just loved it so much. It made my heart so happy when I walked out of the writing room. I love a lot of the songs that I’ve written, but that one just felt special. The team that I was working with at the time didn’t really respond to that song, but I held on to it.

When we decided that we were going to release a record, we recorded two songs and then had more songs to pick for the next batch and I was like, man, I hadn’t even put this song in the first batch and I’ve loved this song forever. So, I just put it in the list and didn’t really say anything. My producer and my radio tracker came back and they were like, ‘Oh my gosh, we love this song. We have to record this one.’ And I was like, yes! We put it out and it got a really good response from listeners, so my radio tracker was like, ‘Let’s just put it out to radio.’ It’s honestly doing way better than I thought it was going to and I’m just so grateful. Sometimes you just have to go with your gut.

How does it feel to have a song this meaningful be your first top 30 at Canadian country radio?

It makes me a little emotional thinking about it because I’ve wanted to record this song for such a long time. And I’m an independent artist, which makes it really hard to do well on radio. Also, I’m a mom, and for some reason, in the music industry, there’s this stigma around moms that they can’t be successful and their music career’s over after they’ve had a baby. But actually, mine is doing way better than it ever did after having my son. They say that babies bring blessings. So, I guess my son brought a really big blessing to my life, but also to my career as well.

How was your experience making the “Love Me Like an Outlaw” music video? Are there any interesting behind-the-scenes secrets you can share?

My whole outfit is a random collection of outrageous things I’ve got along the way, and some are stolen from my mom’s closet. (Sorry, mom!) But filming it was amazing. My cousins had a neighbour that had this gorgeous ranch and 30 some horses. The horses were coming up around me and it was just so cool. It was also like, ‘Oh, weird that this girl’s singing to us!’ It’s funny to see the horses react. And my husband is the cowboy in the cabin. We always try, whenever we’re in each other’s music videos, to hide our face so people don’t think our partner is in it with us. So, it was a labour of love, but we had a lot of fun doing it and we’re really happy with how the video turned out.

You’re about to join Drake Milligan, our new friend at Love at First Listen, for a string of Canadian shows. Can you preview your set for concertgoers?

We’re going to be doing a 30-minute set playing some songs that we’ve already released — obviously “Love Me Like an Outlaw” and “Ain’t Enough Whiskey” — and then some [familiar] covers. I’m bringing my banjo and dobro player with me and then my guitar player. So, it’s going to be acoustic but it’s still going to be fun and high energy. We’re really excited. We’re also going to give out some free merch. So, anybody who’s reading this, make sure to get out in front so you get a free T-shirt or something.

You recently posted a video on TikTok of you hearing your song on the radio in Saskatchewan, your home province. I feel like as an artist, every time that happens, it must be a ‘pinch me’ moment!

It really is. Sometimes I am extremely excited. Other times, I get super emotional, get a frog in my throat, and can’t talk because we work our whole lives. I’ve been singing since I was three years old too, and to hear that people are liking the song enough to play it on radio stations and that a lot of other people are going to hear that song is really part of the dream come true.

@kalseykulyk

Im not crying, you are! 🥹😭❤️🙏🏼 #countrymusic #country #music #countrygirl #countryboy @CISN Country 103.9

♬ original sound – Kalsey Kulyk

Like the name of this interview series suggests, we’re all about new music that we can love at first listen. Can you share some of the artists you’ve loved at first listen recently?

One artist that I really like that everybody’s really liking right now is Bailey Zimmerman. I think he’s got such a cool thing. His voice is just so different. And, obviously, I’m going to give a shout out to my husband, Eric Ethridge. He’s got new music on the way. I’m a big fan of him. I’m also a fan of Lainey Wilson because we used to write together in Nashville, and she released a song that we wrote together called “Dreamcatcher.” So, I would say those artists are super inspiring and paving their own path.

You have been open in sharing your journey with cancer and recently celebrated 15 years cancer free. You’ve also said that ringing the bell at the hospital is the moment you decided to commit 100 percent to music. Having been able to chase your dream and see the success you’ve had to date is an incredible gift, so what advice do you have for anyone who wants to follow in your footsteps and start chasing their dream?

I think the first step is just believing in yourself because that’s really the biggest part that you have to do. This music industry is full of highs and lows and people telling you a million no’s. The biggest piece of advice that somebody gave me was that you’ve got to work, work more, and then work some more because you’re the only one that’s going to be working for yourself. I write two or three songs a day. Really know who you are as an artist, figure that out, find your sound, and just be who you are because nobody else can be that.

When you look back on 2023, what were your career highs and how do you hope to replicate or even challenge yourself to top those in 2024?

The top 30 is definitely one of the top, if not the top, and then playing Cavendish Beach Music Festival and getting to open up for Chris Stapleton was a really cool moment. Playing a festival in Spain with my husband was another one. That was cool because I got to do what I love with the person that I love.

Next year is going to be an even busier and more exciting year because we’re releasing a record in February and it’s going to have more of my sound and more of the songs that I’ve wanted to record for a long time. Obviously, we’re going to take some songs to radio, do some more video shoots, and it’d be good to top the success that we’ve had this year, but I’m honestly just trying to soak in all of the good news. It’s still pretty new, and I’m not sure that it’s hit me yet.

Is there any message you want to send to your fans who helped bring “Love Me Like an Outlaw” to the top 30 at country radio, or people who may be attending an upcoming show and seeing you for the first time?

The biggest thing is just a huge thank you to the people that have been supporting me and have called radio stations over the years when I haven’t even asked them to do that. It really means the world, and from the bottom of my heart, thank you for the shares on social media, for the likes and comments… You really don’t know how much it means to an artist, and the love is sent right back.

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Interviews, Love at First Listen, Music, Music Monday

Love at First Listen with Drake Milligan

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Drake Milligan Interview Love at First Listen 2023

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a new series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

Giddy up, country music fans — there’s a fresh face on the scene ready to take over your playlist and your heart. Drake Milligan first caught the attention of the A-list judges on America’s Got Talent last year as the ever tough-to-crack Simon Cowell praised his “real charisma.” Quickly becoming an AGT fan favourite, his debut, critically acclaimed album ‘Dallas/Fort Worth’ grew his audience to more than 3.4 million Spotify listeners locally and internationally, including here in Canada. Did we mention he also scored his first Canadian country radio #1 with The Reklaws on their joint hit single, “Honky Tonkin’ About”?

Drake is days away from kicking off his first Canadian headlining tour with stops in Regina (Dec. 5), Saskatoon (Dec. 6), Edmonton (Dec. 7), and Calgary (Dec. 8) supported by Canadian country songstress Kalsey Kulyk (our next Love at First Listen feature!). He’s set to wrap up his whirlwind year at home with a performance at one of the world’s largest New Year’s Honky Tonks in Fort Worth, TX, before he opens for Cody Johnson on tour across the U.S. next spring.

Ahead of his final shows of the year, Love at First Listen caught up with Drake Milligan to chat all things AGT, #1 songs, and why, even if you’ve seen him live before, his next shows will be a whole new experience.

Welcome to Love at First Listen! You’ve had an absolutely stacked year and you continue to add to a seemingly never-ending string of milestones, having just landed your first-ever Canadian country radio #1 and kicking off a new tour. Is it even possible to take a moment and absorb all that action?

Not at all. It’s all happening so fast. I got a week off back home before gearing up for tour, so that was my one opportunity to sit back and kind of take it all in. With these Canadian shows coming up, this is my first time visiting some of these cities, so it’ll be a lot of fun.

Fans watched your America’s Got Talent journey play out on TV, but how was it for you? What was the biggest lesson you took from your time on the show and how did it help accelerate your career?

As a new artist that had been on the road, I had material recorded but not released yet, so that show was a perfect opportunity for me to showcase it to the world. After the show, I really learned that I can perform on a high level. Those live shows are no joke — it’s truly live. And you’re in front of not only a big theater of a few thousand fans, but you’re in front of millions of people who are watching live at home. So, it’s pretty daunting, but if you can get on the other side of it and pull it off, you feel like, okay, there’s really nothing I could be fazed by.

You were raised in Texas and moved to Nashville at the age of 19. What was going through your mind as you made that big leap and invested in yourself and your career at a young age? Take us through your first couple of months in Music City.

I think I was too naive to really know what I was doing. I really jumped in and started writing songs. My sole focus was finding great songwriters. People that had written some of my favorite songs and some of these ‘90s country songs that I love are still around Nashville writing great music. So, that was my first objective — finding them, seeking them out, and trying to learn from them. I was lucky enough to do that and learn a lot about songwriting and still am learning a lot.

What advice would you give someone who has watched your journey and wants to follow in your footsteps?

Go for it and stay true to yourself, and make sure you go in there knowing what you want to say and how you want to say it.

Coming back to that impressive and exciting Canadian country radio #1 for “Honky Tonkin’ About,” how did you initially connect with The Reklaws (our favourite Canadian country duo!) and how was it playing the song live for the first time to open the 2023 CCMA Awards?

It’s been incredible! My label first reached out and said there was a great Canadian group that wanted to do a song with me. I had heard a little bit about them before then, but as soon as I met them, we became fast friends. They’re amazing and I was really honoured that they wanted me to be a part of the song.

Who is on your bucket list of collaborators for 2024? How can we help you manifest them?!

There’s a few I’d love to work with. On my first record, ‘Dallas/Fort Worth,’ I got Vince Gill to come sing a song with me. He’s one of my heroes and we’re gearing up to hopefully cut another record. I would love to get another country music legend in there. Obviously for a Texan, George Strait is at the top of the list, but you know, any legend will do!

The end of the year always seems to inspire a lot of self-reflection and thanksgiving. When you think back on 2023, what was your career high—if it’s possible to pinpoint one—and what are you most looking forward to in 2024?

I feel like this whole summer has been on a high. We played so many shows this year; I know it’s over 100 shows all over the States. We played in London, across the UK, and we played in Glasgow, Scotland, which was definitely a highlight. But I just feel like being on the road was all one big highlight for me — playing so many shows, watching the shows get bigger, and watching as our show got better. The more we play, the better we are, so it’s been a really great year for just keeping the train rolling.

Are you working on anything else that fans can look forward to as you wrap up this jam-packed year and prep for the next one?

With all of the shows we played this year, I feel like mostly everybody’s got to see a little bit of it. So, we’re going to change things up and totally revamp the live show. We have some new songs recorded and I’m hopefully going back in again and cutting some more songs soon. So, there’ll be new music coming out and lots to look forward to in the new year. I want to be doing this for a long time, and this year felt like the first one of a long career.

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