Love at First Listen with JESSIA

JESSIA Interview Love at First Listen 2024

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

Throughout the pandemic, many people struggled to find new outlets of creative expression. Jessika Harling, who you may know best as Canadian singer-songwriter JESSIA, turned to music—and the rest was history. Releasing her first single “Tell Me” in April 2020 and the viral self-love smash “I’m Not Pretty” (134M+ streams to date!) a few months later, JESSIA quickly built a reputation for catchy pop headbangers with lyrics that read like they’re ripped from every listener’s diary. If she’s not on your playlist yet, there’s plenty more where those hits came from—starting now.

Earlier this summer, JESSIA shared the news that she is now an independent artist. Luckily, she has thousands of day one fans willing and ready to support her and her brand new body of work, ‘Okay With Every Part’—a title that resonates deeper now more than ever. In this edition of Love at First Listen, JESSIA takes us behind the scenes on finding herself again after being dropped from her first major label, planning her first-ever headlining tour, and why you might spot her holding a camcorder at your next concert.

You’ve always been very open and vulnerable through your music and you’re continuing that tradition with ‘Okay With Every Part.’ What has all the support meant to you, and how do you relate that title to your journey as an independent artist over the last year?

The response has been absolutely incredible. Everybody’s showing up. Even going into the comment section on [the original] post, I’m like, stop, I’m going to cry. It took a lot to come out and really say it because it happened a year ago, but I felt like I needed to process it on my own and wasn’t ready to go completely public with it. And I didn’t want any anger or anything like that to come out—I’m very thankful that it wasn’t one of those horror story breakups that you hear about. ‘Okay With Every Part’ is about being able to come out of the storm and talk about it and be like, this happened, [but] I got through it. I’m able to look back and be like, I’m okay with every single part of it. I wouldn’t be here and I wouldn’t be this happy and I wouldn’t be creating this music had I not gone through that.

Each of the six songs represent a pivotal point in your life. When did you officially start the EP and when did you know it was done?

I mean, I was putting out singles all of last year trying to figure out my sound. It was when “Care About Me” came out that I was like, okay, this is definitely what I want to say and this is my sound. That was the changing point where I was like, we’re going to start working on a project and not just throw singles out to the wind. Now, we’re so locked in on the sound and I’m writing like crazy, and I feel more inspired than I’ve ever felt.

You’ve written about feeling like you lost your identity as an artist after getting dropped. How did you navigate finding yourself again?

I think that I just needed to overcome the shame and the guilt of being dropped. It’s like being dumped but realizing that you can get up and still go and the only thing that’s going to stop you from releasing music is yourself. I refuse to stop releasing music. I refuse to shut down. I did kind of shut down in not really touring as much and not being as public facing, but I think therapy, friends, family, and writing all of this really got me through. I think that this is just in my blood, so it’s like nothing is ever going to stop me.

You also said there was a point that you thought lost your dream—meanwhile, this is only the beginning! You just announced eight shows in the U.S. and Canada this October. Where are you in the planning stages?

I’m actually wanting to go live and have the fans choose the setlist. It’s a weird balance where I want to play my old stuff that everybody knows, but I also am so, so excited about the new stuff that I’ve just released and that I’m continuing to release. So, I’m just finding the perfect balance of that. But if you have any favourites, let me know. I’ll add them to the queue.

How long can we make the show?

Oh, it’ll just be like a three-hour performance.

Bring on JESSIA: The Eras Tour! You’ve played festivals like Austin City Limits and opened for Maroon 5 and Dean Lewis, but this is your first official headlining tour. How are you approaching it differently?

It’s crazy the amount of control that I have because as an opener, you’re in, you’re out, and you kind of do what you’re told. Now, I’ve really gone into the energy, the vibe, and what I want people to leave my show feeling. I’m also thinking about what special moments I can make for other artists to be able to come to my show and be like, oh, this was really cool. I think the show that’s freaking me out the most is probably my LA show because so many artists are there. I want to be like, here, look what we can do.

You’ve used social media throughout your career, developing a strong community that’s lasted through the years. Have you started thinking of ways to build a social strategy around the tour, such as daily vlogs on the road?

I would love that. I’m wanting to buy a little camcorder because I find it really interesting that I’m able to talk to cameras other than my phone a lot more. Like, as soon as I pull out my phone, I feel like an instant influencer. But having a camcorder in my hand, it’s like I’m making a home video. I can be myself and be less pristine. I feel like everything just needs to be perfect, and I try really hard to fight that.

You’ve had a lot of pinch-me moments, from winning Breakthrough Artist of the Year at the 2022 JUNO Awards to having your song play on a season of summer’s “it” show Love Island. What was the first pinch-me moment you had where you felt you had truly made it, and what’s next on your bucket list?

Good question. Playing Lollapalooza [in Chicago] was absolutely incredible. It was my first show because I blew up in a pandemic, and for that being my first show right out of it, I was like, what is going on? So, that was definitely a pinch-me moment of stepping on stage and also hearing all of my tracks for the first time and just the show actually happening. It was crazy that a show that size was the first time we were working out all the kinks! Next up, I think there’s going to be moments all through this first headlining tour that are going to be pinch-me moments of people showing up for me and not just showing up for the next person.

A lot of these songs, especially “He’s A 10,” will be on repeat for the rest of the summer. What are some of the summer songs you’ve loved at first listen this year?

It’s a ‘brat’ Girl Summer, 100%. That Charli XCX record has been on repeat. Also, Sabrina Carpenter—her whole trajectory and the way that she’s navigated her career is absolutely incredible. August 23 cannot come fast enough!

On the theme of being ‘Okay With Every Part,’ what advice would you have either for a young you or a new artist wanting to follow in your footsteps given everything you’ve learned about the industry to date?

Less is more. I think that when you first step on the scene and you see a whole bunch of people you know, you want to have those relationships. But I would say that your team can just be a small, mighty little team. The more cooks in the kitchen, the more things can get diluted and you lose sight of yourself. Trust your gut, trust what you want to sound like, and only really listen to the people who truly have your best intentions in mind.

Also, with social media, I still have to remind myself of this, but you may post a video and want it to go viral and it doesn’t, but that doesn’t mean that it’s a bad song or a bad piece of content. It’s crazy that it is lowkey your job to fight against a computer and its algorithms. Remind yourself that if you think it’s a good song, somebody else is probably going to think it’s a good song too.

Aside from tour planning, do you have anything else in the works for your fans?

The music video for “Happy Without You” is here and I am so stoked for it, and then I’m shooting content as we speak for the next single. It’s crazy how it’s like, drop this, on to the next, here we go. But get ready—we’re back!

Where can fans, day one and new, connect with you online?

@jessiamusic. I respond to my Instagram DMs way more than I respond to my TikTok DMs, but if you want to actually send me a message, it’s me behind everything.

I can vouch for that because you responded to my message and helped me set this up, so thanks!

You see—customer testimonial right here.

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[Artists to Watch] Love at First Listen with Dayna Reid

Dayna Reid Interview Love at First Listen 2024

We all have those artists and songs we hear that strike the right chord and make us fall in love at first listen. They’re the reason we refresh social media pages, tour schedules, and Spotify profiles — because we can’t miss a single release. This is Love at First Listen — a new series introducing you to the emerging, and established, artists with new music guaranteed to upgrade your playlist.

When emerging Canadian country talent Dayna Reid pulled up her latest Spotify Artist Wrapped statistics, she discovered that more than 129,000 people had streamed her work in her first full year with music out in the world—no small feat. The success of her debut EP ‘Back to the Trailer’ inspired this Artist to Watch to come into 2024 with a gripping new single, “This House,” and its emotionally charged music video, out today (Jan. 26). As for what’s on the horizon, Dayna is gearing up to share more music, more live shows, and much more of the authenticity and vulnerability listeners have come to love.

In her first interview for the new single, Dayna gave us the inside scoop on “This House,” her country girl gang, and how she continues to turn her biggest dreams, including an upcoming album release, into reality.

Welcome to Love at First Listen! When you reflect on 2023, what was the biggest pinch-me moment, and what musical goals have you set for yourself in 2024 to go above and beyond what you accomplished in the last 12 months?

I went from working to support kids with special needs full time to hearing my song on the radio. I was actually with one of the girls that I support while I heard it for the first time, so that was a total full circle moment. We pulled over and we were jamming out together. I feel like I have my foot in the door now, so this is the year to kick up a level and share the rest of my album because it’s been done for a while. I am really excited to be able to get to Nashville, write and release a lot more music that I’m proud of, and connect with more people within the industry and listeners as well. I think that’s one of my favourite parts of this industry—meeting so many amazing people.

You say your new single “This House” is “for anyone who has a dream or a vision of what their life could be like but may not know how to make that dream their reality.” How do you relate that message to your own journey as an artist?

There’s a point in a lot of people’s lives where they have this vision for themselves of what they want to pursue, or they know that they want their life to look a certain way, but they don’t know how to make that happen. And I think through writing and releasing the song, it genuinely helped me get to where I’m at right now.

While I was writing this song, I was in a very different mindset than I am right now. It was actually the first song that I ever wrote with my co-writers, Beverley Mahood and Mac Shepherd, so it’s pretty crazy to see how much things have changed since and how much it’s really helped me believe that it’s not [about] running away from your problems, but instead running towards what’s best for you this time instead. I never really understood that growing up until it came to the point in my life where I realized doing what’s best for you isn’t selfish and it’s going to get you to where you [achieve] your own happiness.

Dayna Reid posing with her billboard for "This House" in Toronto's Yonge-Dundas Square.
Dayna Reid posing with her billboard for “This House” in Toronto’s Yonge-Dundas Square. (Courtesy of Dayna Reid/Instagram)

The music video for “This House” is just as stunning as the song. How much of a role did you play in crafting how the song would come to life on screen?

While I was out in Vancouver for the SiriusXM Top of the Country competition, my team got me together with a really amazing director, Stephano Barberis. He is one of those people that you meet and you know they’re special. I wanted this feeling of being in this house or space of mind and finally unlocking those doors, and not even really unlocking the doors but unlocking your potential in a way too. Where we shot the video, that house was over 150 years old or something, surrounded by mountains, and it’s only specifically for video shoots and TV scenes. So, you went in there and you could just feel an energy shift. I was like, okay, this is definitely the place to do this video.

In a sea of new country artists, how would you describe your musical aesthetic to someone first discovering you?

I grew up listening to all kinds of music. My dad was the rocker, so I have the classic rock influence in that sense. But my whole family on my mom’s side is very into older country, like ‘80s, ‘90s, and even a little bit early 2000s. So, I really want to get that into my music because that’s where I feel like my lane is as well.

Speaking of music that country audiences are clearly loving at first listen, your debut EP ‘Back to the Trailer’ featured your Top 40 single “She’s Me” and fan favourite “The Way You Lie.” How would you compare the sound of that EP with what fans can expect to hear this year?

I think that all the songs play a part on the album—like everything has its own feel to it. “She’s Me” was the song that I wanted to put out to help empower people. “The Way You Lie” was for all those girls out there that had been lied to once or twice and they’re done with it. And then a song like “This House,” that’s another song that is very personal in a way too. I want to be able to share that side of me [with] people as well because I think being authentic and real and being able to talk about things like that with others is a whole other level of this industry.

That music also earned you great critical acclaim, including titles like iHeartRadio’s Future Star and touring opportunities with Tim Hicks and Hunter Brothers. Do you have any dream gigs for 2024 that we can help you manifest?!

I know that I’m doing a few festivals in the summer, but any opportunity is a good opportunity, especially being an up-and-coming artist. Touring with the Hunter Brothers was amazing because they are just salt of the earth kind of people and I always went to Tim Hicks’ concerts with my girlfriends growing up, so to be able to perform with them more too would be awesome.

This interview series is all about showcasing new and emerging artists. Can you shout out any of your country pals who we should have our eyes and ears on this year?

Hailey Benedict and Teigen Gayse—those are my girls! They’re honestly the sweetest and so talented. I was in the Top of the Country competition with them and that’s how I got a little bit closer with each of them. They’re killing it out there, and I love being able to support other women.

What else can fans look forward to throughout the year?

It’s funny—the first album that I wrote had a lot of stories about me growing up in a very small farming community in Elmvale, Ontario, which is close to Wasaga Beach. It was a lot about my life experiences at that time, whereas the new music coming up is about this next chapter of my life too. So, I’m hoping that people who are listening can go on that journey with me.

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Playlist: October finds & faves

October finds & faves playlist cover - Angela McLean

It’s October, so it’s OFFICIALLY fall. If you know me, you’re well aware this is my favourite season. As much as I love summer vibes and warm weather, I also love sweaters and the colours of the changing leaves. Plus, fall photoshoots are the best!

If you’re still clinging onto summer, I know just what you need to solidify your fall mood: my October ‘finds & faves’ playlist! I’ve compiled 30 tracks that are perfect for your windy commute, shortened days and Halloween parties.

Scroll down to hit play on this month’s playlist and read about my top six picks. Then, go and get your spook on!

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